Valaska, the performing name for the solo effort of frontman Dave Valdez, brings a show-gazer indie effort for his first full-length release. It’s instrument rich (think ukeleles, strings, flutes), which makes the effort hard to drop into a category, but it’s easy to describe: bland. “On The Surface”, the album’s opening track, is bare bones and sounds like what a pop-core band would do when asked to record an acoustic version of one of their songs. Jump over to “In Voids” and, if it weren’t for Valdez’s tone, you’d think you were listening to a track Randy Newman wrote for the next Disney film. The problem with all of it is that it’s just a little too ho-hum. It sways like you would if you were a buoy in the ocean, but if the wind never got over 10 mph. It’s not enough salt and pepper, but it’s certainly not unseasoned. It’s Grant Wood’s American Gothic incarnate. Some more spice would do the record well.
Often referred to as “unblack” in the Christian world, it can be difficult to find your way around when you're first getting started with the genre. We're here to help. Already a fan? Great: We're here to take you deeper. These are the best faith-based black metal artists to listen to right now.Full Feature More from A Hill To Die Upon
Frenzied. Chaotic. Punk. The Undertaking!, San Diego's newest wild bunch, is about to release their debut album, and, if their live show is a premonition of any kind, the world will be opening up to one heck of a party with them. Contributing writer Andrew Voigt talks to vocalist Austin Visser about the band's new album, the reality of their music, and how they've been able to embrace their creative freedom.Full Feature More from The Undertaking