This reanimated Corpse hails from Kentucky and unabashedly plays old school death metal – from way back when death was the subject matter, not a particular style. Corpse has been kicking around for 20 years, putting out demos once in a while, and this EP of new material is similar: only five songs. (A bonus disc is included with older demos, including some with their late previous singer, though.) The style is still predominantly thrash with solos aplenty and fierce skin bashing, with some death and doom influences. Think of a cross between Pennsylvania’s Sacrament and the U.K.’s Seventh Angel. The grisly graveyard scene on the album cover fits right in with today’s zombie fascination.
Features
The Haunting Sound of Hope
"Ever Eden has been this perfect culmination of us realizing what our journey has been and how to aim that as a message for other people." After years of introspection and coming-of-age, Ever Eden has embraced their own struggles, as haunting as it may feel, to create a community that's turned out to be much larger than the band itself.
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Forward Under a Dying Sun
Most of these days, the sun rises and sets on a world that feels like it's dying. Across the pond, where Employed to Serve calls home, they're learning how to support their latest record a year into its release. HM contributor Andrew Voigt recently sat down with Justine Jones to learn more about the band, marrying your bandmates, and their outside shot at touring with Rammstein.
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The Spirit of Light
Metal is a world where self-exploration thrives, and there are a number of bands that see it as a palette that paints with the eternal human spirit of curiosity, contemplation, and confidence. It welcomes both darkness and light. Welcome, Lightworker.
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Evolution Beyond Dissonance
Two years since the release of Hands Like Houses' latest album, 'Anon,' the band should be on the road supporting the release. Instead, the band has leveraged their local presence, government help, and new platforms like Patreon to stay afloat in the COVID-age.
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