Sure, the shock is worn off when you hear a small little female belting out blood-curdling screaming. I mean, little Dacey of Still Breathing and Lacey of Flyleaf were doing this many, many years ago … and don’t forget that tough gal named Ally French from Bloodlined Calligraphy orchestrating the circle pits close to the stage. Enter Bethany Durbin from The Rose Hill to this conversation, who holds her own in this scrappy metal onslaught that pays homage to some classic metal and the speedy bits of metalcore/deathcore. The drumming swells of tunes like “His Choice” reinforce the harcore origins of the “core” suffix to the genre they fall into. Authentic? I think so. Innovative? Maybe not, but who cares? It’s heavy and it kicks … and that’s enough for some of us.
Features
Changing Focus
When Weathered wrote their debut album, 'Stranger Here,' it was an introspective take on life as they knew it. The appropriate way to follow it up? Turn the mirror around and tell the stories of those around you.
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The Space for Rebirth
On Age of the Abstract's new EP, 'Rebirth,' the duo explores what a new sound looks like apart from the day-job in Canidria. Here, contributing writer Andrew Voigt talks with Julio Arias about influence, vision, and how writing in the wake of his father's death propelled the band forward.
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Droning On
The world came to a halt in 2020, but London-based Drones trudged on, giving a voice to the hurt that circulates with (or without) a pandemic: "You shouldn’t underestimate the power of writing things down or literally speaking them out loud, which I’m learning. I’m glad I made these songs, no matter how personal they are."
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Overflowing with Wrath
Dempsey Mills is the brains behind Vials of Wrath, an atmospheric solo project rooted in Nordic inspiration, historic genre, and a dichotomy of peace and tension that underlies the heaviness of the music. Just don't call it unblack.
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