Hey all!

Can each of you do us a HUGE favor?  Our former band and friends in THE GALLERY (facebook.com/thegallerymusic) are in a HUGE contest with 15 other unsigned bands to:

Be on the cover of Rolling Stone Magazine (first unsigned band ever!).

Play on Late Night with Jimmy Fallon.

Get a Record Deal.

Please follow this link to give them 5 stars (it literally takes seconds and you only vote once).  Please tell all your friends as well.  This is an amazing band that has worked hard to get where they are now.

http://www.rollingstone.com/choosethecover/artists/the-gallery


Blessings guys, thanks for your love and support!

Team Blue Duck

508-345-0525
Blueduckrecords@aol.com
www.blueduckrecords.com
www.myspace.com/blueduck
www.youtube.com/blueduckrecords
www.twitter.com/blueduckrecords
www.facebook.com/pages/Blue-Duck-Records/39535013007

Features

HM covers from over the years

HM Magazine Turns 35

In 1985, Doug Van Pelt photocopied a letter-sized sheets of paper, bound them together, and handed them out in person on the campus of the University of Texas at Austin. It's all digital now, but, along the way, Van Pelt stirred up quite a few waves, played some seriously heavy music, and made a few friends along the way. Here: A quick look back at the magazine's 35-year history with Van Pelt and new owner, David Stagg.

By

Full Feature
Tigerwine 2020

A Disparate Vintage

On Tigerwine's latest, 'Nothing is for You,' vocalist and lyricist Trobee departs from the band's last effort as a concept record to write about an array subjects. Notably, Trobee tackles his evolution from rigid belief system to an acceptance and understanding of other ideas: "Through touring and becoming close with those very people I was taught to be afraid of, I realized how untrue it all is."

By

Full Feature
My Epic performing their last final show before COVID-19

Between the White Noise

My Epic's last full-length album came out in 2013; despite a number of EPs along the way, the band's dedication to their craft, lyrical approach, and unyielding approach to let the music come naturally has made them critical darlings. Now, they're learning to interact and feed a rabid fanbase in between albums and in a new normal.

By

Full Feature
All Features