Monotheist is back with an EP that simply rages! It is technical progressive death metal, both beautiful and brutal. The guitar work makes the album thrive; there is seriously amazing lead guitar work on Genesis. The song arrangements are thoughful, and there are enough varying influences to keep the songs fresh. In fact, they might throw so much in there that it’s almost impossible for the record to get stale. The clean vocals are a bit of an acquired taste, though, and I could see how they wouldn’t sit well with some; however, they struck me as beautiful. Spend some time getting acquainted with this. You won’t be sorry.
Features
HM Magazine Turns 35
In 1985, Doug Van Pelt photocopied a letter-sized sheets of paper, bound them together, and handed them out in person on the campus of the University of Texas at Austin. It's all digital now, but, along the way, Van Pelt stirred up quite a few waves, played some seriously heavy music, and made a few friends along the way. Here: A quick look back at the magazine's 35-year history with Van Pelt and new owner, David Stagg.
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Evolution Beyond Dissonance
Two years since the release of Hands Like Houses' latest album, 'Anon,' the band should be on the road supporting the release. Instead, the band has leveraged their local presence, government help, and new platforms like Patreon to stay afloat in the COVID-age.
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A Disparate Vintage
On Tigerwine's latest, 'Nothing is for You,' vocalist and lyricist Trobee departs from the band's last effort as a concept record to write about an array subjects. Notably, Trobee tackles his evolution from rigid belief system to an acceptance and understanding of other ideas: "Through touring and becoming close with those very people I was taught to be afraid of, I realized how untrue it all is."
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Hope Through the Loss
Idle Threat's latest EP, 'Nothing is Broken for Good,' paints a serendipitous picture of what comes from hope in the future: 'The record is definitely about loss and hope through that loss.'
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