Being Empty : Being Filled

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Spoken word has been slowly infiltrating sub-genres of the rock and hardcore scenes over the recent years. But, for Listener, what started as an underground hip-hop solo project in 2002 with vocalist Dan Smith became a full-fledged band five years later in 2007. Embracing the color-outside-the-lines nature of spoken word with the ethos of chaotic metal. The band’s most recent contribution to this rock-heavy poetry is Being Empty: Being Filled.

Without a doubt, the band’s ever-changing rock drive, and lack of traditional structure, along with Smith’s vocal delivery combined to make this album great. Although his voice first gave me a visual of some maniacal scientist in a lab, it didn’t take long to find the rhythm of the performance in each of the high energy songs. The band allows a wild eccentricity to flourish in a sound that’s exactly as abstract as the cover art looks. It’s a perfect pairing in that way, a fantastic example of how music and art speak the same language.

So much about this album is weird because it’s punk, poetry, a huge spectrum of rock, and a lot of what’s in between. Yet, for all of these reasons – and the fact that such varied styles co-exist and mingle so seamlessly – it’s a brilliant release. One track that especially sticks out, “Window to the World,” has some deliciously nonsensical artistic license used in lieu of common verse. It’s in the Anthony Kiedis vein, with lines like, “October’s my favorite color and you, you’re growing on me.” Add to this funk-punk the fact that Smith is drawing some major Adam Duritz vibes in his vocals, and this track is a late ’90s inspired dream.

Like most great albums, a lot of behind-the-scenes manpower was put into this release; otherwise, it could easily have been a scattered mess in the wrong hands. While Smith handled the lyrics and vocals, all the music was written and played by drummer and guitar player Kris Rochelle, and Josh Scogin lent his hand at producing some of the ideas for the songs Smith and Rochelle had written. Along with engineer Nate Washburn at Glow in the Dark Studios in Atlanta, GA the four set out to experiment and try to make big-picture themes connect, even in the minute details. Their unconventional creativity is apparent in the songs, and Listener struck gold with the partnership.

Listener has found perfect sonic balance by framing Smith’s introspective prose with an instrumental strength to turn out some of the most atypical, original music I’ve heard in the last couple years – and it is very much appreciated.


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