Freshly signed to Solid State Records, TO SPEAK OF WOLVES are starting to mark their territory with the release of the lead track from their forthcoming debut, Myself < Letting Go.


The track, ‘Darkness Often Yields the Brightest Light’ is representative of the brutal yet melodic soundscapes that TO SPEAK OF WOLVES are bound to become known for, and is available to be streamed today on the band’s MySpace page at: http://www.myspace.com/tospeakofwolves
Mixed by metal mastermind Jason Suecof (ALL THAT REMAINS, AUGUST BURNS RED, TRIVIUM), Myself < Letting Go careens wildly between road-rash riffage and soaring, arena-worthy choruses. Rick Jacob’s vocals hammer and haunt, vaulting seamlessly from sky-high melodies to visceral screams. “It’s a good mix between catchy choruses and heavy parts,” says guitarist Corey Doran of the album. “It’s also very raw and dirty sounding, but still clean.”

Previously members of already established touring bands, TO SPEAK OF WOLVES seem to have been bound together by something bigger than themselves, gravitating towards one another through the most unlikely of circumstances. A chance meeting at the Cornerstone music festival, a phone call in a bowling alley, a recommendation from a local video producer – one by one, the members fell in line according to some cosmic script.

That dichotomy – the polished sound of seasoned musicians, the unhinged rage of a hungry, unproven band – is part of what makes TO SPEAK OF WOLVES so compelling. The band has toured relentlessly since just a week and a half after its inception, hitting the road with some of the most recognized names in its genre, from Emery to Underoath (fronted by WOLVES drummer Phil Chamberlain’s brother, Spencer), but has refused to be grandfathered into the big leagues. This is a hardworking band that is going to earn every accolade and every fan by fighting like the savage beast it’s named after.
With the release of Myself < Letting Go on May 18th, TO SPEAK OF WOLVES are ready to sink their fangs into the national music scene.

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