An Album By

Seventh Day Slumber

Review by

Seventh Day Slumber was one of the opening bands for the first rock show I ever went to. I was a sixth grader. In person, I was mesmerized with the band’s energy and sound on stage. They impressed me so much I bought my first band shirt from them, which I still have in a tote buried in the depths of my closet. Even though I’ve obviously changed since then, I still find myself loving the music this band is producing. I find so much to appreciate about their most recent release, a five-track EP named Redline. The instrumentation and breakdowns on Redline still sound like the band’s older music, reminiscent of one of their first releases, Once Upon a Shattered Life — the album I saw them perform live over a decade ago. Perhaps the nostalgia myself and a number of fans of the band may experience with this EP could have us seeing through rose-colored lenses, but Christian rock’s notoriety for being cheesy in both content and musical output should be considered. However, there is not a single music connoisseur who would listen to this album and not find genuine talent on this well-written collection of songs. Tracks such as “Lost in the Lights” exemplify the typical pop-rock song format, but the redemption is found in the instrumentation, with impressive guitar work and a groove that anyone can bang their head to. For an EP, it’s a venture that proves this is some of the band’s best work yet, and if it’s a stage-setter for a future full-length, it upholds the band’s worth in their arena.


The Undertaking 2021

Quite The Undertaking

Frenzied. Chaotic. Punk. The Undertaking!, San Diego's newest wild bunch, is about to release their debut album, and, if their live show is a premonition of any kind, the world will be opening up to one heck of a party with them. Contributing writer Andrew Voigt talks to vocalist Austin Visser about the band's new album, the reality of their music, and how they've been able to embrace their creative freedom.


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