How do they do it? I wasn’t sure they could top their 2009 Hell Blade release, but I believe they have now. The album does not stray far from their sound, but has a slightly more beefed-up feel. The riffs are heavy as always, but the guitar tone seems more full, giving everything a heavier punch throughout. With a release this full of solid tracks, it is hard to pinpoint any as being real stand-out cuts, but if pressed, I am drawn to songs like “Let it Rock” (check out the breakdown and style changes here), and “Judgment Day” (just so grindingly heavy). While Josh does an amazing job on vocals as always, we are introduced to the band’s new singer, Brian Phyll Miller, who takes over on just one track, the title track. With a slightly more smooth/melodic sound to his style (at least on the one track here), it is not too radically different from Josh’s, and so we’ll have to see what he has in him when he hear him on a full release.
Features

The Industrial Revolution
Italian creative Giovanni Bucci, otherwise known as ODDKO, has spent a professional career pushing the limits of some of the world's largest brands. HM contributor Andrew Voigt talks with the man behind the curtain to find out what it looks like when he pushes the limits of his own creativity.
By Andrew Voigt
Full Feature More from ODDKO
The Top 25 Albums of 2020
When the going gets tough, artists create art. Despite a world reckoning outside our quarantined doors, musicians relentlessly created new music giving birth to genre-defining releases and, despite a year spent indoors, a marked 2020 full of passion and fervor. Here are our Top 25 albums of 2020.
By David Stagg
Full Feature More from HM Magazine
Changing Focus
When Weathered wrote their debut album, 'Stranger Here,' it was an introspective take on life as they knew it. The appropriate way to follow it up? Turn the mirror around and tell the stories of those around you.
Full Feature More from Weathered
The Space for Rebirth
On Age of the Abstract's new EP, 'Rebirth,' the duo explores what a new sound looks like apart from the day-job in Canidria. Here, contributing writer Andrew Voigt talks with Julio Arias about influence, vision, and how writing in the wake of his father's death propelled the band forward.
By Andrew Voigt
Full Feature More from Age of the AbstractMusic Reviews
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Vols. 6 and 7
United We SkateReview by Nao Lewandowski
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Influence
Everything in Slow MotionReview by Nao Lewandowski