Probably titled as a nod to the band’s second album it can never seem to get close enough to for grindcore fans, the guitars of Lincoln Bowen and Troy Dixon shred all over this disc, conjuring the timing and counter-riffs of early Tourniquet. Rowe’s growls are tough and low (ocassionally mixing high and low, as in the title track or the pub chanting gang vocals of “In Garland Hall”). The overall mix, however, is a detractor at times, seemingly compressing the mids into the lows. Granted, it makes for a refreshing dynamic, though, when a lead break screams atop the din. I think the doom and speed of Scribe has just come the closest to Scrolls as anything in the Mort catalog.
Features
Forward Under a Dying Sun
Most of these days, the sun rises and sets on a world that feels like it's dying. Across the pond, where Employed to Serve calls home, they're learning how to support their latest record a year into its release. HM contributor Andrew Voigt recently sat down with Justine Jones to learn more about the band, marrying your bandmates, and their outside shot at touring with Rammstein.
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Becoming Comrades
The trio of Comrades – husband and wife Joe and Laura McElroy alongside drummer John Gaskil – is used to living in a van and touring the country. Now, their new normal has provided them with a moment to "be adults" for once. We recently sat down with the McElroys to talk more about the spiritual reality within life, how soon they'll be able to release new music, and how koalas are their new normal.
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Between the White Noise
My Epic's last full-length album came out in 2013; despite a number of EPs along the way, the band's dedication to their craft, lyrical approach, and unyielding approach to let the music come naturally has made them critical darlings. Now, they're learning to interact and feed a rabid fanbase in between albums and in a new normal.
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HM Magazine Turns 35
In 1985, Doug Van Pelt photocopied a letter-sized sheets of paper, bound them together, and handed them out in person on the campus of the University of Texas at Austin. It's all digital now, but, along the way, Van Pelt stirred up quite a few waves, played some seriously heavy music, and made a few friends along the way. Here: A quick look back at the magazine's 35-year history with Van Pelt and new owner, David Stagg.
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