The Water and the Blood

An Album By

Dustin Kensrue

Review by

Last year, Dustin Kensrue announced he was moving north to be a worship leader at Mars Hill Bellevue, just outside Seattle. Earlier this year, Kensrue put out a more ’80s/The Cure/Duran Duran-style worship record under the name The Modern Post. Now, Kensrue is back with a new solo record using his given name. Following up his alt-country record, Please Come Home, Kensrue takes on his new role as a worship leader and turns the music style he previously wrote in Thrice into a contemporary worship record. The record itself is all over with styles. It kicks off with an upbeat song called “Rejoice”; this song could be heard in any suburban mega-church. (I would bet next year some of these songs will be played in churches all over the world.) Upping the beat per minute on a remake of a The Modern Post song, “Grace Alone,” Kensrue turns it from a synth/Cure-style song to more of a song you would hear at a youth church service. If you were hoping the record was going to have a more somber tone that follows the record’s first single, I am sorry to break your heart, but it isn’t that way. In fact, it has some great, uplifting tracks, but as a full record, it is a bit of a letdown. I like it a little more each time I listen to it, but it wasn’t an immediate favorite.


Brian "Head" Welch

Love and Death and Resurrection

After an eight year hiatus, Love and Death return with 'Perfectly Preserved,' an eclectic and personal release for nu-metal icon and frontman Brian 'Head' Welch. Still at the heart of it all, the man with the dreads details his life in the spotlight after returning to Korn, the launch of a holistic recovery center, and his spearheading of an autobiographical documentary. As fresh as he's ever been at 50 years old, he's still got more to give.


Full Feature
Pantokrator 2021

Marching Onward

After being together for a quarter of a century, they've been called Illuminati, fundamentalists, and even fascists. Now, with their first new album in seven years, 'Marching Out of Babylon,' they're honed in more than ever, a steadfast and evolved version of themselves. Andrew Voigt digs a little deeper into the Swedish band's roots, uncovers the narratives on the new release, and finds out how a little playground spat brought the band together.


Photo by Rebecka Gustafsson

Full Feature
The Drowned God 2021

Drowning The Sound

Andrew Voigt, a contributing writer to HM Magazine, sat down with Cody Golob, the lead vocalist and one of the original two members of The Drowned God, to discuss their as-yet-unnamed upcoming record, the inspiration behind its writing, and a mutual love for sparkling water.


Full Feature

The Industrial Revolution

Italian creative Giovanni Bucci, otherwise known as ODDKO, has spent a professional career pushing the limits of some of the world's largest brands. HM contributor Andrew Voigt talks with the man behind the curtain to find out what it looks like when he pushes the limits of his own creativity.


Full Feature
All Features