An Album By

Artifex Pereo

Review by

Review of: Passengers
Album by:
Artifex Pereo

Reviewed by:
On September 12, 2016
Last modified:September 12, 2016


Passengers, Artifex Pereo’s latest album, picks up where their 2014 Tooth and Nail Records debut, Time in Place, left off. The Louisville, Kentucky six-piece ensemble plays grandiose prog-alt, usually in a shuffling meter, combining pop-rock with experimental flashes. Befitting the band’s above-the-Earth, drone-filmed lyric videos for this album, its conceptual protagonist has now left the grand view of geocentric orbit to languish among the rubble of society’s disillusionment.

Upon returning to Earth in the ambient introductory track “Re-Entry,” Passengers makes its opening punch with “First, Do No Harm,” a galloping eco-anthem cataloging humanity’s mistreatment of our planet while correlating the ongoing destruction with our own bodily and spiritual capacity for change. “Lost is the power to harvest our worth,” laments singer Lucas Worley in an engagingly powerful coo reminiscent of bygone labelmates The Juliana Theory. Obtuse guitars swathe the intricate drumming and cascading piano figures on the track.

“Paper Ruled All” heats things up with math-rock instrumental tendencies and post-hardcore vocal garnishes, its proem framing a critical inquest of the world’s leaders — or possibly ourselves: “Is your ambition to watch the world burn?” The desolate “Space Between Thoughts” turns things inward, the track highlighted by tumbling percussion and waves of harmony insulating a cerebral query of personal fulfillment. “Soft Weapons,” one of the best songs on Passengers, further questions mankind’s oligarchy declaring that “they’ll distort the truth, package it as proof.”

Artifex Pereo certainly has a gift for taking far-reaching, universal concerns and distilling them into personally applicable and affecting rock anthems.

“Age of Loneliness,” Passengers’ exciting midpoint, delivers a fast, emo-rock intro with slippery, distorted guitar leads before settling into a jaunty, flowing account of isolation. The remaining five cuts on Passengers continue along as pieces completing the greater puzzle: sophisticated lyrics and melodies riding razor-sharp arrangements of symphonic, strident post-hardcore.

Artifex Pereo certainly has a gift for taking far-reaching, universal concerns and distilling them into personally applicable and affecting rock anthems. The instrumentation and vocals here are top-notch, the gleaming production showcasing these 11 tracks in a pure, vitreous style. Thought-provoking concepts and meaningful, inspired performances permeate this progressive emo/alternative rock release, and should make its way to your collection. Fans of Tooth and Nail alumni (Abandoned Pools, Discover America, Fine China, Mae) would do well to seek out this album.


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