The October issue is out and available for download. Come by and check it out. Featuring a cover interview with Eric Campuzano as well as interviews with Hammock, King Never, David di Sabatino, Herb Grimaud Jr., Jerry Wilson, Brian Kirsch part 2, and a live report on the Aunt Betty’s Ford reunion. We still offer a subscription service that brings Down The Line straight to your inbox as just a link or the entire file. Why not subscribe, after all it’s still free! Check us out and please leave us some feedback, let us know how we’re doing and who you might like to see in upcoming issues.
Eric Campuzano
November 12, 2010 By Doug Van Pelt
Features

In a World of Hurt
...a kind word goes a long way. "When it comes to writing and music, these are the gifts God has given me and that’s what I want to use to further the Kingdom and return those things back to God."
By Andrew Voigt
Full Feature More from Earth Groans
Droning On
The world came to a halt in 2020, but London-based Drones trudged on, giving a voice to the hurt that circulates with (or without) a pandemic: "You shouldn’t underestimate the power of writing things down or literally speaking them out loud, which I’m learning. I’m glad I made these songs, no matter how personal they are."
Full Feature More from Drones
The Top 25 Albums of 2020
When the going gets tough, artists create art. Despite a world reckoning outside our quarantined doors, musicians relentlessly created new music giving birth to genre-defining releases and, despite a year spent indoors, a marked 2020 full of passion and fervor. Here are our Top 25 albums of 2020.
By David Stagg
Full Feature More from HM Magazine
Overflowing with Wrath
Dempsey Mills is the brains behind Vials of Wrath, an atmospheric solo project rooted in Nordic inspiration, historic genre, and a dichotomy of peace and tension that underlies the heaviness of the music. Just don't call it unblack.
By Andrew Voigt
Full Feature More from Vials of WrathMusic Reviews
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Vols. 6 and 7
United We SkateReview by Nao Lewandowski
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Influence
Everything in Slow MotionReview by Nao Lewandowski