Fifteen years after the release of Dimensions, Believer has finally returned with a new album. Fifteen years is a long time. Long enough to forget just how brutal Believer’s music was, how insane Joey Daub’s drumming was and how the band composed riffs so technical that most other bands wouldn’t have dreamed of playing them. And then you listen to Gabriel and it all comes back to you. Metal isn’t supposed to sound this good. The typical Believer elements are present, including the seemingly random time changes and Kurt Bachman’s screaming vocals, such that Gabriel could easily have been released years ago as the immediate follow-up to Dimensions. As with any Believer album, there are some changes – keyboard, sound and voice programming throughout that are slightly overused, leaving me wishing they would have let the music stand by itself. Still, this is unmistakably Believer, and unmistakably a great album. Welcome back.
Often referred to as “unblack” in the Christian world, it can be difficult to find your way around when you're first getting started with the genre. We're here to help. Already a fan? Great: We're here to take you deeper. These are the best faith-based black metal artists to listen to right now.Full Feature More from A Hill To Die Upon
After being together for a quarter of a century, they've been called Illuminati, fundamentalists, and even fascists. Now, with their first new album in seven years, 'Marching Out of Babylon,' they're honed in more than ever, a steadfast and evolved version of themselves. Andrew Voigt digs a little deeper into the Swedish band's roots, uncovers the narratives on the new release, and finds out how a little playground spat brought the band together.Full Feature More from Pantokrator
On Age of the Abstract's new EP, 'Rebirth,' the duo explores what a new sound looks like apart from the day-job in Canidria. Here, contributing writer Andrew Voigt talks with Julio Arias about influence, vision, and how writing in the wake of his father's death propelled the band forward.Full Feature More from Age of the Abstract
Italian creative Giovanni Bucci, otherwise known as ODDKO, has spent a professional career pushing the limits of some of the world's largest brands. HM contributor Andrew Voigt talks with the man behind the curtain to find out what it looks like when he pushes the limits of his own creativity.Full Feature More from ODDKO