Universal Republic rockers Anberlin will release their much-buzzed about fifth studio album, Dark Is The Way, Light is a Place,on September 21st. The band recorded it at Nashville’s renowned Blackbird Studio with Brendan O’Brien (Pearl Jam, Bruce Springsteen, Rage Against the Machine), who won the GRAMMY® award for Producer of the Year, Non-Classical earlier this year. “Impossible” – the driving lead single that soars with an exhilarating pop Foo Fighters vibe as it captures love’s tug of war – will go to radio in mid-July. “We Owe This To Ourselves,” another track from Dark Is The Way, Light is a Place, will be the main song used on ESPN’s X-Games this summer.

The forthcoming record follows Anberlin’s New Surrender, which was the band’s second album to debut in the Top 20 of The Billboard 200. “Feel Good Drag,” New Surrender’s first single, hit No. 1 on the Modern Rock charts and now holds the record as the longest-charting single in Modern Rock history. Named 2009’s  “Rock Song of the Year” by FMQB, it will be a featured song on the in-store version of “Guitar Hero 6,” due out this September.  Anberlin’s cover of New Order’s “True Faith” appeared on the subsequently released deluxe version of New Surrender and was tapped for the season finale of The CW’s “The Vampire Diaries.” Anberlin, which formed in Winter Haven, FL in 2002, has sold over 700,000 albums and toured the world, sharing stages with American Rejects, My Chemical Romance, Taking Back Sunday, Paramore and many others.

Dark Is The Way, Light is a Place – which takes its title from a line in Dylan Thomas’ “Poem On His Birthday” – examines the battle implicit in life and in love. “Love is a friction, a chemistry,” says Anberlin’s front man, Stephen Christian. “We need to fight it out in a good way, not with threats of leaving, but to, in love, find an understanding.”

If such an understanding isn’t reached, the consequences can be shattering, as detailed in the hypnotic “The Art of War,” which veers from slow burn to full sonic assault and the heart wrenching “Take Me As You Found Me.”The cathartic “To The Wolves”tackles betrayal head-on while in the gentle, acoustic “Down,” the protagonist puts the blame squarely on himself (“feel like a shell of yesteryear gone by/bad decisions like ghosts that just won’t die”). The way may be dark, but a powerful vision of light permeates the album. The anthemic “We Owe This To Ourselves” is a resounding call to action: “we owe this to ourselves/to fight, to lead/we owe this to ourselves/we just can’t let this go.”  This deeply rooted conviction speaks not only to Anberlin’s view of romantic love, but also to the band’s belief that we’re accountable for our relationship with the world at large.

To that end, Anberlin has been involved in numerous humanitarian efforts. They’ve spent time in Africa, working with a local charity to meet the needs of a small community, and traveled to Calcutta, India with Faceless International, where they helped to raise awareness about the dangers of human trafficking. Co-founded by Stephen Christian (lead singer), Faceless International (http://www.facelessinternational.com/)aims to defend the plight of exploited people worldwide who have gone faceless and unknown for far too long. The organization raises awareness about social issues happening throughout the global community, providing first hand experience and education through trips around the world and solution-based opportunities through regional resources.

Anberlin is:

Stephen Christian: Vocals
Joseph Milligan: Lead guitar
Devon Rexroat: Bass
Christian McAlhaney: Rhythm guitar
Nathan Young: Drums

The track listing for Dark Is The Way, Light is a Place is as follows:

1. We Owe This To Ourselves
2. Impossible
3. Take Me As You Found Me
4. Closer
5. You Belong To Me
6. Pray Tell
7. The Art Of War
8. To The Wolves
9. Down
10. Depraved

Features

Employed to Serve

Forward Under a Dying Sun

Most of these days, the sun rises and sets on a world that feels like it's dying. Across the pond, where Employed to Serve calls home, they're learning how to support their latest record a year into its release. HM contributor Andrew Voigt recently sat down with Justine Jones to learn more about the band, marrying your bandmates, and their outside shot at touring with Rammstein.

By

Full Feature
Tigerwine 2020

A Disparate Vintage

On Tigerwine's latest, 'Nothing is for You,' vocalist and lyricist Trobee departs from the band's last effort as a concept record to write about an array subjects. Notably, Trobee tackles his evolution from rigid belief system to an acceptance and understanding of other ideas: "Through touring and becoming close with those very people I was taught to be afraid of, I realized how untrue it all is."

By

Full Feature
HM covers from over the years

HM Magazine Turns 35

In 1985, Doug Van Pelt photocopied a letter-sized sheets of paper, bound them together, and handed them out in person on the campus of the University of Texas at Austin. It's all digital now, but, along the way, Van Pelt stirred up quite a few waves, played some seriously heavy music, and made a few friends along the way. Here: A quick look back at the magazine's 35-year history with Van Pelt and new owner, David Stagg.

By

Full Feature
My Epic performing their last final show before COVID-19

Between the White Noise

My Epic's last full-length album came out in 2013; despite a number of EPs along the way, the band's dedication to their craft, lyrical approach, and unyielding approach to let the music come naturally has made them critical darlings. Now, they're learning to interact and feed a rabid fanbase in between albums and in a new normal.

By

Full Feature
All Features