{"id":25330,"date":"2018-12-19T08:48:16","date_gmt":"2018-12-19T13:48:16","guid":{"rendered":"http:\/\/hmmagazine.com\/dvanpelt\/?p=25330"},"modified":"2018-12-19T08:48:16","modified_gmt":"2018-12-19T13:48:16","slug":"tourniquet-gazing-medusa","status":"publish","type":"post","link":"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/","title":{"rendered":"TOURNIQUET – Gazing at Medusa"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Tourniquet
\nGazing at Medusa<\/p>\n

A return to greatness? Pretty much.<\/p>\n

I\u2019ve always liked this band Tourniquet, but I guess you can call me a \u201ccasual fan,\u201d since I usually fall back on a handful of albums for repeated listening over the years \u2013 specifically, the first four albums: Stop the Bleeding, Psychosurgery, Pathogenic Ocular Dissonance<\/em> and Vanishing Lessons.<\/em> Like most of you, I love the Tourniquet setlist mainstays (aka the hits), but the band has also scored high with obscure tracks like \u201cHarlot Widow and the Virgin Bride\u201d or \u201cTears of Korah,\u201d where tempo changes and climbing, searing riffs pierced the song\u2019s presentation like a scream.<\/p>\n

This album is like a giant jam session with all the great Tourniquet elements intact. Harsh, brash and refined shouts bristle with power, driven by fat, full slabs of galloping or appropriately chugging rhythm guitar alongside tasteful soloing wails \u2013 all at breakneck speeds. It\u2019s hard to pick out what I like the best. The guitars, drums and vocals all shine.<\/p>\n

It might be Aaron Guerra\u2019s best performance. At least it sounds like his growls. Those gruff-style vocals that\u2019ve been countering the lead vocals ever since we first heard \u201cThe Test for Leprosy\u201d and \u201cArk of Suffering\u201d (courtesy Gary Lenaire) are here in full power and, dare I say it, glory. Whether it\u2019s slow, separated syllables like \u201cCan\u2019t \u2013 make me \u2013 hate you\u201d or \u201call \u2013 good \u2013 things \u2013 died \u2013 here,\u201d or the faster cadence of mouthfuls of words in tunes like \u201cThe Crushing Weight of Eternity\u201d or \u201cThe Peaceful Beauty of Brutal Justice.\u201d<\/p>\n

The guitar tones are utter perfection, though. That ever-elusive tone that competes with anyone in the metal scene yet rings unique is here. It\u2019s not easy to dial in these sounds, but distortion, fuzz and crunch are married at full volume \u2013<\/span> in just about every song. The frantic and searing lead guitar solos by Chris Poland are stellar and fit these songs like a tight black t-shirt.<\/p>\n

The drums, as to be expected, pound with power and fly around the kit with speed. Never usurping the collective presentation of the song, though. These songs are like shows within a show \u2013 allowing your ears to isolate any one element for a few moments and then settle back in for the big picture.<\/p>\n

The lead vocals are good and great. After hearing tidbits of news here and there prior to hearing the album, I was expecting a smorgasbord of lead vocals that would feel like a compilation album. I don\u2019t get that feeling at all. What I and multitudes of Tourniquet fans will notice and appreciate are the high-bent vocals that King Diamond introduced way back when and Guy Ritter so deftly presented on the first three albums. Not quite as high pitched as King Ritter, but perfectly acidic nonetheless. Kudos to Tim “Ripper” Owens for nailing these tunes (as well as Deen Castronova, who knew he could sing, on the title track).<\/p>\n

I need to mention the chaotic additives that make things even more interesting (a la “Skeezix Dilemma”), like the intro to “Can’t Make Me Hate You” or the political speech excerpt in “Longing for Gondwanaland.”<\/p>\n

Yeah, this album pretty much sounds like all your favorite Tourniquet songs rolled into one. Or, dare I say it, a Metallica album. Bravo! The only thing missing, which only time and multiple listens will tell, is if it\u2019s chock full of hits or not. For now, though, all I wanna do is hit repeat.
\n[Pathogenic] Doug Van Pelt<\/p>\n","protected":false},"excerpt":{"rendered":"

Tourniquet Gazing at Medusa A return to greatness? Pretty much. I\u2019ve always liked this band Tourniquet, but I guess you can call me a \u201ccasual fan,\u201d since I usually fall back on a handful of albums for repeated listening over the years \u2013 specifically, the first four albums: Stop the Bleeding, Psychosurgery, Pathogenic Ocular Dissonance […]<\/p>\n","protected":false},"author":12,"featured_media":25331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[4125,4124,4123,1690,1738,1882,1995,4126,3299],"class_list":["post-25330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-chris-poland","tag-gary-lenaire","tag-guy-ritter","tag-judas-priest","tag-king-diamond","tag-luke-easter","tag-metal","tag-tim-ripper-owens","tag-tourniquet","cat-17-id"],"yoast_head":"\nTOURNIQUET - Gazing at Medusa - The Original Heaven's Metal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Doug Van Pelt\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/\",\"url\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/\",\"name\":\"TOURNIQUET - Gazing at Medusa - The Original Heaven's Metal\",\"isPartOf\":{\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/hmmagazine.com\/dvanpelt\/wp-content\/uploads\/2018\/12\/tourniquet.jpg\",\"datePublished\":\"2018-12-19T13:48:16+00:00\",\"author\":{\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/#\/schema\/person\/b155afeb7086c8182b3bb3b435e68c4b\"},\"breadcrumb\":{\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/#primaryimage\",\"url\":\"https:\/\/hmmagazine.com\/dvanpelt\/wp-content\/uploads\/2018\/12\/tourniquet.jpg\",\"contentUrl\":\"https:\/\/hmmagazine.com\/dvanpelt\/wp-content\/uploads\/2018\/12\/tourniquet.jpg\",\"width\":1200,\"height\":1200},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/tourniquet-gazing-medusa\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/hmmagazine.com\/dvanpelt\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"TOURNIQUET – Gazing at Medusa\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/hmmagazine.com\/dvanpelt\/#website\",\"url\":\"https:\/\/hmmagazine.com\/dvanpelt\/\",\"name\":\"The Original Heaven's Metal\",\"description\":\"Former Editor-in-Chief. 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